Art
Kati Heck’s Dear Cobalt Monsters features seven recent oil paintings and one cast-iron sculpture that thread together visual cues from medieval allegory with a contemporary sensibility. This exhibition, presented by British gallery Sadie Coles HQ, marks the Antwerp-based German artist’s first solo exhibition in the United States. The
Art
Kati Heck’s Dear Cobalt Monsters features seven recent oil paintings and one cast-iron sculpture that thread together visual cues from medieval allegory with a contemporary sensibility. This exhibition, presented by British gallery Sadie Coles HQ, marks the Antwerp-based German artist’s first solo exhibition in the United States. The
Art
Under the fog of a winter dawn on January 7, two fires erupted in the mountains north of Los Angeles. Many thought, in our supposedly modern age of high-pressure water systems and aerial firefighting, that urban fires were symptomatic of a bygone era. There was the Great Chicago Fire of
Art
Under the fog of a winter dawn on January 7, two fires erupted in the mountains north of Los Angeles. Many thought, in our supposedly modern age of high-pressure water systems and aerial firefighting, that urban fires were symptomatic of a bygone era. There was the Great Chicago Fire of
Art
I spent this past October on a writing residency in Toffia. Toward the end of my stay, I visited one of Italy’s oldest and most enigmatic sculpture gardens: Sacro Bosco (Sacred Wood), colloquially known as the Parco dei Mostri (Park of Monsters). Located near the hillside town of Bomarzo,
Art
I spent this past October on a writing residency in Toffia. Toward the end of my stay, I visited one of Italy’s oldest and most enigmatic sculpture gardens: Sacro Bosco (Sacred Wood), colloquially known as the Parco dei Mostri (Park of Monsters). Located near the hillside town of Bomarzo,
Art
Our fleeting encounters with strangers—in magazines, on the streets—leave a mark decades later.
Art
Our fleeting encounters with strangers—in magazines, on the streets—leave a mark decades later.
Art
1. Seth Becker at Venus Over Manhattan, through March 9. Thirty-one small oil-on-panel paintings, often measuring less than twelve inches on any side, dot the walls of the gallery in A Boy’s Head, Seth Becker’s debut solo show in New York City. Each of the paintings here (all
Art
1. Seth Becker at Venus Over Manhattan, through March 9. Thirty-one small oil-on-panel paintings, often measuring less than twelve inches on any side, dot the walls of the gallery in A Boy’s Head, Seth Becker’s debut solo show in New York City. Each of the paintings here (all
Art
Manet, though older by only two years, is positioned as the wiser, more formidable painter.
Art
Manet, though older by only two years, is positioned as the wiser, more formidable painter.