Art
I. Between visiting the five-thousand-year-old pyramids of Giza and heading south to the Valley of the Kings, where four thousand years ago ancient Egyptians began to cut tombs for their pharaohs, I toured Zamalek, a Manhattan-shaped island in the Nile River near Cairo. Thrumming with international students and filled with
Art
I. Between visiting the five-thousand-year-old pyramids of Giza and heading south to the Valley of the Kings, where four thousand years ago ancient Egyptians began to cut tombs for their pharaohs, I toured Zamalek, a Manhattan-shaped island in the Nile River near Cairo. Thrumming with international students and filled with
Art
The Museum of Modern’s Art’s survey of Sophie Taueber-Arp, Living Abstraction, and the oeuvre it presents, is mesmerizing, so much so that I have been back to immerse myself in the world of Taeuber-Arp more than once. With the exception of certain problematic contextual gaps, I found the
Art
The Museum of Modern’s Art’s survey of Sophie Taueber-Arp, Living Abstraction, and the oeuvre it presents, is mesmerizing, so much so that I have been back to immerse myself in the world of Taeuber-Arp more than once. With the exception of certain problematic contextual gaps, I found the