Art
The Metropolitan Museum of Art’s current retrospective, Alice Neel: People Come First, opened on March 22—just a few months after New York City began distributing vaccines, and still months before most COVID-19 restrictions were lifted. After over a year of social distancing, quarantines, and mask mandates, the opening
Art
<!-- wp:paragraph --> <p>This spring and summer, New York City's art scene clearly began to recover its energy—and audiences—after a full year of Covid-19 shutdowns and restrictions. The situation may not be back to "normal," but each gallery
Art
<!-- wp:paragraph --> <p>This spring and summer, New York City's art scene clearly began to recover its energy—and audiences—after a full year of Covid-19 shutdowns and restrictions. The situation may not be back to "normal," but each gallery
Art
I was fortunate to visit Judy Pfaff in her studio recently to discuss her exhibition, ar.chae.ol.o.gy, which is currently on view at the Pamela Salisbury Gallery in Hudson, New York, through July 25. The exhibition features an elaborate installation spanning three floors of the gallery’s
Art
I was fortunate to visit Judy Pfaff in her studio recently to discuss her exhibition, ar.chae.ol.o.gy, which is currently on view at the Pamela Salisbury Gallery in Hudson, New York, through July 25. The exhibition features an elaborate installation spanning three floors of the gallery’s
Art
Displayed in Robert Smithson’s current exhibition at Marian Goodman Gallery is the artist’s unrealized Forking Island (1971), rendered in paint on a mirror. With its searching projections reaching outward from a central point, the island looks less like a landmass and more like a network, its form presenting
Art
Displayed in Robert Smithson’s current exhibition at Marian Goodman Gallery is the artist’s unrealized Forking Island (1971), rendered in paint on a mirror. With its searching projections reaching outward from a central point, the island looks less like a landmass and more like a network, its form presenting
Art
We are now witnessing the highest levels of displacement on record. An unprecedented 70.8 million people around the world have been forced from home. Among them are 25.9 million refugees, over half of whom are under the age of 18. — The UN High Commissioner for Refugees, “Figures at
Art
We are now witnessing the highest levels of displacement on record. An unprecedented 70.8 million people around the world have been forced from home. Among them are 25.9 million refugees, over half of whom are under the age of 18. — The UN High Commissioner for Refugees, “Figures at
Art
Visiting the Whitechapel Gallery after lockdown was the first time, to my knowledge, that I had my temperature read in public. I can tell you that I saw Radical Figures: Painting in the New Millennium on Sunday, July 26 at 4:30, because I had to book in advance and
Art
Visiting the Whitechapel Gallery after lockdown was the first time, to my knowledge, that I had my temperature read in public. I can tell you that I saw Radical Figures: Painting in the New Millennium on Sunday, July 26 at 4:30, because I had to book in advance and
Art
As New York City galleries and museums begin to reopen this fall, masks and social distancing are mandatory. Some proprietors have implemented added precautions, asking to take visitors' temperatures as they enter the gallery, or requesting names and phone numbers for possible contact tracing in the midst of the