Art
Visually rich, idiosyncratic, and often playful, Lucio Pozzi: qui dentro/in here is an irreverent career survey, but also a serious meditation on the nature of art, perception, and materiality. “In here” refers to Magazzino’s soaring, skylighted Gallery 8. Featuring some thirty paintings, sculptures and installations, the exhibition is
Art
Visually rich, idiosyncratic, and often playful, Lucio Pozzi: qui dentro/in here is an irreverent career survey, but also a serious meditation on the nature of art, perception, and materiality. “In here” refers to Magazzino’s soaring, skylighted Gallery 8. Featuring some thirty paintings, sculptures and installations, the exhibition is
Art
During these somber and turbulent times, this exhibition of jubilant works by the Brazilian artist Beatriz Milhazes is a hypnotic oasis. Installed in one of the Guggenheim’s tower galleries, the intermingling of fifteen large-scale paintings and collages spans a trajectory of nearly three decades from 1995 to 2023. Curated
Art
During these somber and turbulent times, this exhibition of jubilant works by the Brazilian artist Beatriz Milhazes is a hypnotic oasis. Installed in one of the Guggenheim’s tower galleries, the intermingling of fifteen large-scale paintings and collages spans a trajectory of nearly three decades from 1995 to 2023. Curated
Art
Climbing the stairs toward the grand terrace of the Hispanic Society Museum and Library, on Broadway between 155 and 156 Street, visitors will discover a fantastical and menacing scene in the distance. A green Amazonian anaconda appears to be coiling around the monumental equestrian bronze statue by sculptor Anna Hyatt
Art
Climbing the stairs toward the grand terrace of the Hispanic Society Museum and Library, on Broadway between 155 and 156 Street, visitors will discover a fantastical and menacing scene in the distance. A green Amazonian anaconda appears to be coiling around the monumental equestrian bronze statue by sculptor Anna Hyatt
Art
Giorgio Morandi (1890–1964), known in his lifetime as one of Italy’s finest painters, and still today proving his abiding relevance, was the subject of two large back-to-back shows in New York this winter, one organized by the Rome-based gallery Mattia De Luca and the other at David Zwirner’
Art
Giorgio Morandi (1890–1964), known in his lifetime as one of Italy’s finest painters, and still today proving his abiding relevance, was the subject of two large back-to-back shows in New York this winter, one organized by the Rome-based gallery Mattia De Luca and the other at David Zwirner’
Art
At the still point of the turning world . . Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point,
Art
At the still point of the turning world . . Neither from nor towards; at the still point, there the dance is, But neither arrest nor movement. And do not call it fixity, Where past and future are gathered. Neither movement from nor towards, Neither ascent nor decline. Except for the point,
Art
For nearly sixty years, Judith Bernstein has been an artist who keeps score. Whether we are talking about bombs or catcalls, Bernstein responds viscerally, letting out the anger and angst about current events shared by many. Public Fears, her latest exhibition at Kasmin Gallery, responds to our present moment, when
Art
For nearly sixty years, Judith Bernstein has been an artist who keeps score. Whether we are talking about bombs or catcalls, Bernstein responds viscerally, letting out the anger and angst about current events shared by many. Public Fears, her latest exhibition at Kasmin Gallery, responds to our present moment, when