Interviews
Yo sé quién soy—dijo Don Quijote—y sé que puedo ser… —Miguel de Cervantes Rosa Martínez is one of the most influential voices in contemporary curatorial practice, having contributed to shape the international art world for over four decades. Based in Barcelona, where she earned her degree in art
Interviews
Yo sé quién soy—dijo Don Quijote—y sé que puedo ser… —Miguel de Cervantes Rosa Martínez is one of the most influential voices in contemporary curatorial practice, having contributed to shape the international art world for over four decades. Based in Barcelona, where she earned her degree in art
Art
Afloat in space as if in thrall to interplanetary forces, suspended by (nearly) invisible filaments, the nineteen wire sculptures that comprise the exhibition Galacticonexus inevitably prompt thoughts about cosmic systems, a comparison encouraged by its star-trekking portmanteau title. The installation enhances that simulation, pulling us almost physically into what feels
Art
Afloat in space as if in thrall to interplanetary forces, suspended by (nearly) invisible filaments, the nineteen wire sculptures that comprise the exhibition Galacticonexus inevitably prompt thoughts about cosmic systems, a comparison encouraged by its star-trekking portmanteau title. The installation enhances that simulation, pulling us almost physically into what feels
Art
Kati Heck’s Dear Cobalt Monsters features seven recent oil paintings and one cast-iron sculpture that thread together visual cues from medieval allegory with a contemporary sensibility. This exhibition, presented by British gallery Sadie Coles HQ, marks the Antwerp-based German artist’s first solo exhibition in the United States. The
Art
Kati Heck’s Dear Cobalt Monsters features seven recent oil paintings and one cast-iron sculpture that thread together visual cues from medieval allegory with a contemporary sensibility. This exhibition, presented by British gallery Sadie Coles HQ, marks the Antwerp-based German artist’s first solo exhibition in the United States. The
Art
The 1930s was a time of political crisis, when the specter of totalitarianism engulfed Europe and fueled fears of all kinds in the U.S. during the Great Depression. Prominent artists of the period like Ben Shahn (1898–1969) used their formidable communicative skills to highlight social strife, poverty, political
Art
The 1930s was a time of political crisis, when the specter of totalitarianism engulfed Europe and fueled fears of all kinds in the U.S. during the Great Depression. Prominent artists of the period like Ben Shahn (1898–1969) used their formidable communicative skills to highlight social strife, poverty, political
Art
In a time of unprecedented upheaval and uncertainty, Robert Mangold’s serenely radiant exhibition of recent work, Pentagons and Folded Space, offers us a reassuring vision of a far more considered, less muddled realm. Mangold, a master abstractionist who rose to prominence during the heyday of Minimalism in the 1960s,
Art
In a time of unprecedented upheaval and uncertainty, Robert Mangold’s serenely radiant exhibition of recent work, Pentagons and Folded Space, offers us a reassuring vision of a far more considered, less muddled realm. Mangold, a master abstractionist who rose to prominence during the heyday of Minimalism in the 1960s,
Art
It seems fitting that Picasso Tête-à-tête—the first collaboration with the youngest of the artist’s four children, Paloma Picasso—would be the last exhibition held in Gagosian Gallery’s 980 Madison Avenue venue in New York. Quirky, personal, and illuminating, the exhibition occurs following a series of well-received and
Art
It seems fitting that Picasso Tête-à-tête—the first collaboration with the youngest of the artist’s four children, Paloma Picasso—would be the last exhibition held in Gagosian Gallery’s 980 Madison Avenue venue in New York. Quirky, personal, and illuminating, the exhibition occurs following a series of well-received and